Each of these hamlets is split in two, a sunny side and a dark side, a dualism creating a motionless entity that spins in time and repeats itself eternally, like the rotation of the planet, of the changing seasons. Songs allowing us to feel cold, emotion, desire, fear, adventure, euphoria, joy, mourning and death, thus reminding us we belong in a world that is older than us, whose face and surface have been altered by History. To let the Dust generate Shadow. The first edition of Calitri Sponz Fest , a festival Capossela conceived and of which he is artistic director, also focussed on the topic of the wedding. Nonetheless there is no want of recurring appointments, like the Concerti per le Feste that have invariably taken place every year from to at Christmas at Fuori Orario in Taneto di Gattatico Reggio Emilia. The bleak earth that fled the sky.
No comments You can be the first one to leave a comment. In these songs, man is exposed to the forces of the earth, to its enveloping and strangling roots, to its sharp, piercing brambles, to the forces of the night, the cliffs of a cruel and arcane nature, to the exploitation and oppression exercised on men by men. Canzoni della Cupa is a record in two parts, or rather, two sides. Songs leaving you exposed to human malice and to the cruelty of the little communities. And a shadow-side, a moon-side, the side of shrubs and ghosts. In he wrote the book Non si muore tutte le mattine Feltrinelli , which gave rise to a shadow play performance and the Radiocapitolazioni broadcast by Radio 3.
Others I have found inside me, searching in the steps, the alleys, the brambles and the land. Each of these hamlets have a quarter called La Cupa, where the sun rarely shines, where the unconscious has placed the Legends, and a parched side indenito the crest of the earth, a side marked by hard work.
The show was rerun the ondebito summer at the prestigious Ravenna Festival and on other occasions. Radio, scrittura, cinema, sono spesso confluiti nel percorso artistico di Vinicio Capossela, segno distintivo di un artista che da sempre non considera ma, anzi, travalica le barriere esistenti tra le diverse arti: The first recordings took place during the dry season, in the summer of Nonetheless there is no want of recurring appointments, like the Concerti per le Feste that have invariably taken place every year from to at Christmas at Fuori Orario in Taneto di Gattatico Reggio Emilia.
The side of the hard work demanded by ca;ossela harvest, the side of sweat and exploitation. There is nothing reassuring in folk music, Dylan once said.
Leave this field empty.
Feltrinelli pubblica il suo quarto libro, Il paese dei Coppolonicandidato al Premio Strega. Radio, writing and cinema have often converged in Vinicio Capossela artistic career, the hallmark of an artist who has always transcended the barriers between different art forms.
Vinicio Capossela – Italia Music Export : Italia Music Export
The side of howls and brambles, of branches that by the moonlight bring to life creatures that slyly show up one by one and defy zoological classification.
The side of the mule drivers, who steal wood at night, the side of eloping lovers, of apparitions. The side of the parched remains after the wheat has been gathered.
Il e il sono due anni importanti per Vinicio: Yet it is still there to reminds us that we are just men on a naked land.
These two sides make up a circle in which time seems motionless. The side of dust and sweat.
Vinicio Capossela – INDEBITO – Diretta Live dal Cinema Anteo di Milano
You may use these HTML tags and attributes: In these songs, man is exposed to the forces of the earth, to its enveloping and strangling roots, to its sharp, piercing brambles, to the forces of the night, the cliffs of a cruel and molano nature, to the exploitation and oppression exercised on men by men. Songs that have lent me warmth and roots, fear and consolation.
No comments You can be the first one to leave a comment. Many have come with their masterly voices and mjlano to the homeland alleys: In the Summer of Capossela worked at several projects: The first edition of Calitri Sponz Festa festival Capossela conceived and of which he is artistic director, also focussed on the topic of the wedding. The side of the creatures of the Cupathe Pumminalethe werewolf, the Bestia nel Granothe beast in the wheat field.
To let the Dust generate Shadow. Each of these hamlets is split in two, a sunny side and a dark side, a dualism creating a motionless entity that spins in time and repeats itself eternally, like the rotation of the planet, of the changing seasons. And a shadow-side, a moon-side, the side of shrubs and ghosts.
VINICIO CAPOSSELA |
Songs allowing us to feel cold, emotion, desire, fear, adventure, euphoria, joy, mourning and death, thus reminding us we belong in a world that is older than us, whose face and surface have been altered by History. The tour is divided into two parts: The side exposed to the sun, drying in the wind. The edition of the festival revolved around the theme of departure: Canzoni della Cupa is a record in two parts, or capossla, two sides.
And this is true.
Vinicio Capossela
The book became a reading that the two presented across Italy, where, instead of the stage, there were a ring, a judge, a piano and the two of them flinging words and songs, instead of punches, at each other in an unlikely, yet realistic boxing match. Taketo Gohara, Asso Stefana and the author himself. The bleak earth that fled the sky. In he wrote the book Non si muore tutte le mattine Feltrinelliwhich gave rise to a shadow play performance and the Radiocapitolazioni broadcast by Radio 3.
Every inland village across Italy — lands touched by neither sea nor city, where hamlets are surrounded by oceans of clay, earth and pitch-black nights and perched atop cliffs as if to defend themselves from the world — knows this geography of the soul. All together, bundled up over the years like firewood, they have become Canzoni della Cupa. Inhe also started a new project with Banda della Posta, an elderly but still wild bunch of frontier serenaders, between Buena Vista Social Club and the Pogues, whom Capossela produced and toured with in Italy and abroad.
This is a record in two parts, conceived a decade apart to let the brambles thicken and their roots penetrate the soil. These songs are inspired by this world. Those songs generated new songs gathered in a spare session, that was recorded in the alleys of the Land of Echo, by the fire of the stove, in the homeland. Songs leaving you exposed to human malice and to the cruelty of the little communities. But these are also songs that restore a relationship between sky and earth, a condition in which we often linger unaware, like sleepwalkers.
